Each episode of Adventure Time takes about nine months to produce and begins in a writer’s room with series creator Ward, producers Adam Muto and Kent Osborne, and staff writer Jack Pendarvis. From that meeting, they generate a barebones, two-page outline.
Those outlines are handed over to one of four storyboard teams who have two weeks to visually outline the episode. “They’re basically directing,” says Osborne. “They’re writing all the jokes, editing the outline, picking all the camera shots… what the episode is going to look like.”
The storyboard teams then pitch their outlines to Osborne and each other where they get notes and another two weeks to address those notes. “That is about five weeks.” Osborne said. “Then there’s a couple weeks where the board is sent to the Network for notes and it’s being prepared for a voice record.”
When the network notes and voices are ready, the storyboards are assembled into an animatic where the cleaned up drawings, poses, and shots appear along with dialogue which takes a few more weeks to build. “There’s layout design and background design and color design going on,” says Osborne. “This is all to prepare for sending it overseas to Korea.”
“Entitled Baskets, Galifianakis will play Chip Baskets, a man who dreams of becoming a professional clown, but after a failed attempt at attending a fancy Parisian clowning college, he takes the only clowning job he can find, working at a local rodeo.”—Zach Galifianakis Is Heading Back to TV — Vulture
“The audience actually wants to work for their meal. They just don’t want to know that they’re doing that. That’s your job as a storyteller is to hide the fact that you’re making them work for their meal. We’re born problem solvers. We’re compelled to deduce and to deduct because that’s what we do in real life. It’s this well-organized absence of information that draws us in.”—
Pixar filmmaker Andrew Stanton in an altogether fantastic episode of NPR’s TED Radio Hour exploring what makes a great story.
“Turns out that the numbers look quite good: If Submit creators were a publisher, they’d have been #3 among all those who publish through ComiXology in terms of quantity of titles, #6 in downloads and #10 in gross revenue. Submit creators published 1,007 one-shots and issues of ongoing series in the first year, with a total of over 47,000 pages of content.”—ComiXology Is Helping Indie Comics Publishers Go Digital | TIME.com